my public space

Pieces of Fred le Chevalier, an artist I first encountered in Neukolln, Berlin april 2012

Really great stuff. Hope to find more soon.

See http://fredlechevalier.blogspot.de for more info

The weirdest commercials i’ve seen in a while.

Gandhi promoting Dutch city Groningen, Darwin wants you to eat the Biscuits of Bolletje and Bob Ross tells you not to drink and drive.

One of the new stars in Amsterdam Street Art is Dode Wereld (Dead World). Here’s two more i made just around the corner of Thorbeckeplein.

Sometimes, whilst in Belgium, one can see something that will never be seen in Holland (and that’s why I looove Belgium). Take for instance these signs. It’s a promotion for a temporary employment agency. It is situated just around the corner of the Red Light District.

Sometimes, whilst in Belgium, one can see something that will never be seen in Holland (and that’s why I looove Belgium). Take for instance these signs. It’s a promotion for a temporary employment agency. It is situated just around the corner of the Red Light District.

I saw this one from the top of MAS Antwerp

I saw this one from the top of MAS Antwerp

the traffic sign states: you’re on the right track. good to know.

the traffic sign states: you’re on the right track. good to know.

Amsterdam Street Art september 2011 with

Dode Wereld (Dead World), Bust, Space Invader, unknown and Hero the Janeiro

yet another Berlin based street artist i’ve encountered through the years and grew to love. most of these stencils are found in prenzlauerberg. name of the artist is yet unknown to me.

Some highlights from Berlin with Alias, London Police, Blu, unknown and Mr André.

The work by Berlin based Just can only be seen by those who look up. It’s bizarre how he manages to write his tags (sometime accompagnied by a sheep, although i think the sheep is done by someone else) on the top of high buildings. Working from the roof, this requires a good spatial feeling, since he has to write upside down. As you can see, he sometimes goes wrong.